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Daoqing

Also known as: Yugu Daoqing, Dào qíng

Definition

Daoqing has several meanings. In older writing it can refer to feeling informed by the Dao, a cultivator's disposition, or companionship among fellow practitioners. In the history of performance it also names regional sung-storytelling traditions associated with Daoist song; this last sense is common in modern discussions.

Knowledge guide

Daoqing: From Religious Feeling to Sung Storytelling

When a source says daoqing, first ask whether it describes an attitude, a relationship among practitioners, or a performance accompanied by a yugu drum and clappers. The uses are historically related but cannot be substituted for one another.

What can daoqing mean?

Genre, period, and evidence of singing or accompaniment help identify the intended sense.

General meaning

Feeling and moral sense

In some writing the phrase describes feeling or judgment consonant with a way, without proving religious affiliation.

Religious sense

Disposition and fellowship

Poetry can use it for a cultivator's outlook or bonds among people pursuing the Dao.

Song

Daoist lyrics and moral songs

Religious song traditions supplied language and performance resources for later genres.

Performance genre

Yugu daoqing and regional forms

Sung storytelling with instruments developed in varied local styles.

How did daoqing become a performance name?

Earlier meanings and later genres should not be forced into one fully documented line of descent.

  1. 01
    Before the medieval period

    The word has ethical and religious senses

    Poems and prose can speak of feeling, aspiration, or fellowship.

  2. 02
    Tang

    Daoist songs circulate

    Religious and immortal themes contribute to a wider singing tradition.

  3. 03
    Southern Song

    Drum-and-clapper accompaniment is recorded

    Sources make a storytelling performance form more readily identifiable.

  4. 04
    Yuan

    Urban and popular performances develop

    Repertories and tunes expand in changing performance settings.

  5. 05
    Ming–Qing

    Regional branches take different forms

    Themes move beyond religious exhortation and local names and melodies diverge.

  6. 06
    Modern era

    Local performing traditions continue

    Daoqing appears in genre and heritage classifications without becoming one uniform national style.

Three neighboring terms

The same word can appear in philosophical, social, or performance contexts.

01

Daoqing and moral principle

Meaning
Daoqing may imply feeling shaped by a moral way, while moral principle names the principle more directly.
Focus
The role of feeling in the expression.
Distinction
This usage alone does not make a writer a Daoist.
02

Daoqing and Daoist song

Meaning
Daoist song is a broad class of lyrics or tunes; later daoqing can name a more specific storytelling genre.
Focus
Breadth of the genre name.
Distinction
An early poem entitled daoqing need not use later yugu accompaniment.
03

Daoqing and yugu

Meaning
Yugu is an accompanying drum and sometimes a name for performances using it.
Focus
Instrument versus regional genre name.
Distinction
Shared names do not prove identical melodies everywhere.

Where to go next

Determine the sense from context, then compare Tang–Song religious songs and later records of regional instruments, tunes, and story subjects.

Names and variants

Simplified
道情
Traditional
道情
Other names
Dao Qing, Yugu Daoqing
Pinyin
Dào qíng
English
Daoqing

Source material and earlier definitions

English textThe reviewed English overview and source notes remain available below1 section · 221 words

The dictionary relates daoqing to songs used to communicate Daoist teachings and stories. It traces its background to Tang religious song and describes its development as a popular narrative form in the Song period. These accounts concern different stages rather than proving that all regional forms began at one moment.

Yugu, a percussion instrument associated with this repertory, and jianban clappers are characteristic forms of accompaniment. Later ensembles could include strings, gongs and drums. Performance might involve one or two performers, seated or standing, with different balances between singing and speech.

As daoqing spread, local dialects, folk tunes and performance conventions helped produce regional varieties. Some retained the name daoqing, while others were known by names associated with their instruments. Its music could be organized through named tunes or other patterns of melodic and rhythmic variation.

Daoist stories remained an important part of the repertory, but historical tales, legends and secular subjects also entered it. Some forms developed into local theatre. A Daoist origin therefore does not make every later daoqing performance a religious ceremony or every story a statement of Daoist doctrine.

In older literary usage, daoqing can also refer to moral understanding, the disposition of a religious cultivator or friendship in religious life. Those meanings should be distinguished from the performing-art term when reading a poem or dictionary entry.

References

  1. [1]
    Dictionary of Daoism